Doorstops
I recently saw a piece that called Dennis Lehane’s latest novel, Given Day, a “doorstop.” At 720 pages, I imagine it would be.
Which is not to imply that the book is dead weight by any means! Publishers Weekly gave it a starred review and called it “a splendid flowering of the talent previously demonstrated in his crime fiction.”
In this departure from his Kenzie and Gennaro mystery novels, Lehane has written a “nail-biter” of a thriller.
The question of how to determine whether a book is a mystery or a thriller often comes up. Number sixteen of Carolyn Wheat’s Sixteen Differences between Mystery and Suspense states: Mysteries are usually three hundred manuscript pages. Suspense novels can be longer.
Set in Boston at the end of the First World War, Given Day is the story of two families—one black, one white. Beat cop Danny Coughlin, the son of one of the city's most beloved and powerful police captains, joins a burgeoning union movement and the hunt for violent radicals. Luther Laurence, on the run after a deadly confrontation with a crime boss in Tulsa, works for the Coughlin family and tries desperately to find his way home to his pregnant wife.
We meet Babe Ruth, Eugene O'Neill, W. E. B. DuBois, Calvin Coolidge, and an ambitious young Department of Justice lawyer named John Hoover, as the story courses through some of the pivotal events of the time—including the Spanish Influenza pandemic—and culminates in the Boston Police Strike of 1919.
Lehane’s fans will be happy to hear that Martin Scorcese has just finished filming Shutter Island, his 2003 mind-bending psychological thriller (400 pages worth) set in 1954. U.S. Marshal Teddy Daniels (portrayed by Leonardo DiCaprio) and his new partner visit the island to investigate the disappearance of a multiple murderess from a hospital for the criminally insane amidst hints of radical experimentation and horrific surgeries. And a killer hurricane is headed straight for them.
You can read all about it at IMDb!









